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    Open a larger version of the following image in a popup: Conrad Shawcross, Schism (D), 2019
    Open a larger version of the following image in a popup: Conrad Shawcross, Schism (D), 2019
    Open a larger version of the following image in a popup: Conrad Shawcross, Schism (D), 2019
    Open a larger version of the following image in a popup: Conrad Shawcross, Schism (D), 2019
    Open a larger version of the following image in a popup: Conrad Shawcross, Schism (D), 2019

    Conrad Shawcross

    Schism (D), 2019
    bronze
    15 x 15 x 15 cm.
    edition of 10 4/10

    Further images

    • (View a larger image of thumbnail 1 ) Yannick Vu, Tarred and feathered, 1994
    • (View a larger image of thumbnail 2 ) Yannick Vu, Tarred and feathered, 1994
    • (View a larger image of thumbnail 3 ) Yannick Vu, Tarred and feathered, 1994
    • (View a larger image of thumbnail 4 ) Yannick Vu, Tarred and feathered, 1994
    • (View a larger image of thumbnail 5 ) Yannick Vu, Tarred and feathered, 1994
    Schism investigate the beguiling geometric and philosophical qualities of the tetrahedron – geometrically a four-sided non-tessellating form and conceptually the symbol of an indivisible unit of matter. As a building...
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    Schism investigate the beguiling geometric and philosophical qualities of the tetrahedron – geometrically a four-sided non-tessellating form and conceptually the symbol of an indivisible unit of matter. As a building block, the tetrahedron behaves as an irrational number, creating sequences that, in theory, extend into infinity without repetition. Each Schism consists of twenty tetrahedrons bolted together to form a near perfect polygonal form. The sculpture comes close to forming an Icosahedron, a polyhedron with 20 faces and the platonic sibling of the tetrahedron, but for the fact that it does not ‘work’. While some sides mate perfectly, the form is covered with a deep chasm and a series of cracks. The rational order of the working geometry is violently contrasted with a sense of a deep problem that is ripping the ideal apart. This rupture, this schism, could be seen by some as proof of a godless world, or of a god that is certainly mischievous. By others it could be seen as a timely symbol of our turbulent times. In summer 2020 Conrad Shawcross inaugurated 'Schism (Château La Coste)', a 6.5m permanent sculpture on the grounds of Château La Coste.
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OLIVIER VARENNE

 

Art Moderne & Contemporain

37-39 rue des Bains

1205 Geneva, Switzerland

info@varenne.art

t: +41 22 810 27 27

Opening hours: Mon-Fri: 10am-6pm / Sat: by appointment                 

MONAD CONTEMPORARY SA

 

37-39 rue des Bains

1205 Geneva, Switzerland

info@monad.ch                                                                    

MONA 

 

Olivier Varenne 

c/o Museum of Old and New Art (MONA) 

655 Main Road Berriedale 

Hobart Tasmania 7011 

Australia 

olivier@mona.net.au


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