Olivier Varenne
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  • Les « Wrapped Trees » de Christo à Genève

    Carole Kittner, Tribune des Arts, March 2, 2023
  • Swiss dealers and collectors make their mark at artgenève—with optimistic advice for Brexit Britain

    Gareth Harris, The Art Newspaper, January 27, 2023
  • Passeur d'art

    Eléonore Sulser, Le Temps, January 23, 2023
  • Olivier Varenne ouvre aux Bains

    Emmanuel Grandjean, January 11, 2023
  • Gambling mogul and museum-founder David Walsh: ‘Art is all about sex and death’

    Georgina Adam, Financial Times, January 11, 2023
  • Artist Tomás Saraceno wants to improve our knowledge about atmospheres – and arachnids

    Jan Hogan, The Conversation, December 20, 2022
  • The artist ‘most likely to change the world’? Tomás Saraceno on making art from dust, webs and pollution

    Kate Hennessy, The Guardian, December 19, 2022
  • Tomás Saraceno Exhibits Air at Hobart’s Mona Museum

    Sam Gaskin, Ocula, December 16, 2022
  • Olivier Varenne installe ses pénates rue des Bains

    Etienne Dumont, Bilan, November 22, 2022
  • Bowie’s handwritten Starman lyrics sell for stellar £200,000

    Nadeem Badshah, The Guardian, September 27, 2022
  • Larry Gagosian: «Je crois en Paris, ville des musées et de la culture»

    Valérie Duponchelle, Le Figaro, September 15, 2021
  • MONA: Les 10 ans d'un project fou

    Françoise , Beaux Arts Magazine, August 1, 2021
  • Mona, le musée du bout du monde

    Christophe Averty, La Gazette Drouot, May 21, 2021
  • MONA’s decade of daring and Tasmanian devilry

    Peter Hill , Financial Times, January 27, 2021
  • Tasmania's Mona gets a major revamp – but will it lure the locals?

    Jenny Valentish, The Guardian, December 30, 2020
  • Rehung and revamped Mona Museum in Tasmania opens it's doors after nine-month closure

    Gareth Harris, The Art Newspaper , December 28, 2020
  • 3 questions à David Walsh

    Olivier Kaeser, Grand Théâtre magazine n°5 - Nos élixirs (page 36) , October 12, 2020
  • Christian Boltanski: "J'ai proposé au diable de parier sur ma mort, et j'ai gagné."

    Luc Debraine, Grand théâtre magazine n°5 - Nos élixirs (pages 32-35), October 12, 2020
  • Jonathan Delachaux: Voyage au bout du monde

    J.A, L'Illustré, June 29, 2020
  • Destination Tasmanie: Jonathan Delachaux

    Gemma d'Urso, Le Temps, June 15, 2020
  • L’œuvre tranchée d’Alain Jacquet

    roxana Azimi, le monde, October 21, 2019
  • Daniel Varenne : l'oeil d'un marchand d'art contemporain de Dubuffet à Christo

    Judith Benhamou-Huet, Les Echos, October 10, 2019
  • DAVID WALSH, LE DIABLE DE TASMANIE

    Accueil Série Limitée Culture, October 4, 2019
  • Art heaven or hell? Museum’s epic £15m tunnel brings to life Dante’s Divine Comedy

    TIM STONE, the art newspaper, July 18, 2019
  • An Invitation to Darkness: MONA's New Tasmanian Tunnel

    Emma-Kate Wilson, mutual art, July 16, 2019
  • Oh my God! MONA’s new tunnels to enlightenment

    Oscar Capezio, art monthly, July 12, 2019
  • Tunnels to nowhere

    brand tasmania, June 22, 2019
  • Pain and Suffering But Make It Art: A Weekend at Dark Mofo

    Wendy Syfret, vice, June 21, 2019
  • Your guide to the final week of Dark Mofo

    Emily Jarvie, examiner, June 18, 2019
  • Art heaven or hell? Museum’s epic £15m tunnel brings to life Dante’s Divine Comedy

    washington latest, June 18, 2019
  • Art heaven or hell? Museum’s epic £15m tunnel brings to life Dante’s Divine Comedy

    unique news, June 18, 2019
  • Along the Dark Path

    ANDREW ROSS , NOVISIBLEMEANS, June 17, 2019
  • Review: Siloam and Simon Denny’s Mine, Mona/Dark Mofo (TAS)

    RICHARD WATTS, arts hub, June 17, 2019
  • Best free things to do at Dark Mofo 2019

    spirit of tasmania, June 16, 2019
  • Creepy much? The weirdest things at Dark Mofo 2019

    Hannah Francis, smh, June 15, 2019
  • Dark Mofo 2019: Got a question? We can answer it

    the mercury, June 14, 2019
  • Dark Mofo 2019: a journey through the inferno to robots and extinction

    Julie Shiels, the conversation, June 13, 2019
  • Fender Katsalidis completes subterranean ‘tunnel to nowhere’ at MONA

    architecture au, June 11, 2019
  • Heavens below: introducing Siloam, Mona’s new extension

    global travel media, June 11, 2019
  • MONA's new 40-minute art experience requires you to wear a safety restraint

    Ben Neutze, time out, June 11, 2019
  • Heavens below: Introducing Siloam, Mona's new extension

    art daily, June 10, 2019
  • HOBART: DARK MOFO’S SILOAM – THE END OF THE WORLD AND THE GIANT IRON ARSEHOLE

    Chas Hughes , the f, June 10, 2019
  • Toby Ziegler : Your Shadow Rising

    elli walsh, scribd, March 15, 2019
  • SUBSCRIBE Toby Ziegler: Your Shadow Rising

    BRIONY DOWNES, art guide, January 24, 2019
  • Mona Museum of Old and New Art set to show six exhibitions this summer

    art daily, December 24, 2018
  • Fabien Giraud and Raphaël Siboni’s “The Everted Capital”

    Tara McDowell, art agenda reviews, December 21, 2018
  • Inside the Bewildering Pharos Wing at Tasmania’s Mona Museum

    Jessica Wynne Lockhart, azure magazine, December 18, 2018
  • Big hit exhibitions to see these summer holidays

    Gina Fairley, arts hub, December 14, 2018
  • Toby Ziegler's MONA moment taps art of the 21st century

    Andrew Stephens, smh, December 7, 2018
  • Toby Ziegler: Your shadow rising

    Melissa Pesa, art almanac, November 29, 2018
  • The Everted Capital and Your Shadow Rising

    Lauren Carroll Harris, the saturday paper, November 24, 2018
  • The Everted Capital and Your Shadow Rising

    Lauren Carroll Harris, the saturday paper, November 24, 2018
  • Toby Ziegler

    elli walsh, artist profile, November 22, 2018
  • 'They're making their own kind of world': two Mona shows challenge the visitor

    Steph Harmon, the guardian, November 17, 2018
  • A Journey to Freedom

  • 3e biennale de Moscou

    Art Press
  • Théâtre du monde

    Telemara Sortir
  • LE MONA, UN MUSéE ICONOCLASTE

    Evasion Australie / Lifestyle
  • Marché de l'art : Artgeneve petite mais de qualité.

    Judith Benhamou-huet, Les Echos
  • 5 Questions with James Brett

    Robert Shore, Elephant Magazine
  • MONA’s hallucinatory new Pharos wing

    camd, July 26, 2018
  • A new take on an old artistic vision

    Stephanie Convery, gulf news, July 25, 2018
  • In pictures: the hallucinatory new Pharos wing at Tasmania’s Museum of Old and New Art

    TIM STONE, the art newspaper, July 11, 2018
  • In pictures: the hallucinatory new Pharos wing at Tasmania’s Museum of Old and New Art

    Tim Stone, The Art Newspaper, July 11, 2018
  • Must-see exhibitions of summer 2018: Africa, Asia, the Middle East and Australia

    christies, July 5, 2018
  • Du caractère vital de la création

    Caroline Figwer, ArtsHebdoMedias, June 29, 2018
  • Fabien Giraud and Raphaël Siboni: The Unmanned, Part Two

    Roslyn Helper, art almanac, June 28, 2018
  • Hobart's Museum of Old and New Art steps back in time with its playful new exhibition Zero

    Dee Jefferson, abc news, June 27, 2018
  • On the Inside

    BRIONY DOWNES, art guide tasmania, June 25, 2018
  • 2 things you missed at Dark Mofo – A JOURNEY TO FREEDOM and SHAUN GLADWELL

    analix forever, June 25, 2018
  • We Asked Inmates to Critique an Art Show About Jail

    Mahmood Fazal, Vice, June 22, 2018
  • Museum of Old and New Art (MONA)

    e-flux, June 21, 2018
  • A Museum in Tasmania Gathers the Founders of the Zero Art Movement

    Phillip Barcio, ideel art, June 18, 2018
  • Zero reimagined: a new take on an old artistic vision

    Stephanie Convey, The Guardian, June 16, 2018
  • ZERO is the beginning

    Jenny Valentish, the monthly, June 13, 2018
  • Incarceration and time’s passing are eloquently explored at Dark Mofo

    Julie Shiels, the conversation, June 12, 2018
  • A Journey to Freedom exhibition opens at TMAG

    tasmanian times, June 7, 2018
  • A JOURNEY TO FREEDOM – TASMANIAN MUSEUM AND ART GALLERY, TASMANIE

    point contemporain, June 3, 2018
  • Vibration in ZERO

    May 31, 2018
  • Meet the Joker: the Australian who is the biggest gambler in the world

    Kate McClymont, The Age, May 17, 2018
  • The End is the Beginning

    STEVE DOW, art guide, May 15, 2018
  • At ZERO You Can Experience the Influential Art Movement That Disappeared in a Puff of Smoke

    WILL COX, broadsheets, May 15, 2018
  • Ausstellung: ZERO im MONA Museum of Old and New Art, Hobart

    galerie breckner, April 16, 2018
  • ART MONA: ZEROING IN ON ZERO

    CHRIS KELLY , hunter and bligh, April 7, 2018
  • Museum of Old and New Art (MONA)

    e-flux, March 29, 2018
  • Interacting with art and food in Tasmanian hottest museum

    Mathilde Lester, museeum, March 28, 2018
  • A sensorial experience at Pharos, MONA's new $32 million wing

    walk to art, March 23, 2018
  • MONA's New Exhibition Is an Immersive Ode to the Radical Artists of Post-War Germany

    Jasmine Crittenden , concrete playground, March 23, 2018
  • VISUAL ART PHAROS & THE UNMANNED Museum of Old and New Art, Hobart

    Margaret Gordon, smh, March 6, 2018
  • How Hobart became a mainlander’s dream

    Gabriella Coslovich, the sydney morning herald, February 27, 2018
  • Tasmania's Dark Mofo gets darker as MONA influence expands

    Gabriella Coslovich, financial review, February 23, 2018
  • THE UNMANNED AT MONA: A TWO PART EPIC

    MELISSA OGIER, the garb wire, February 22, 2018
  • The Museum of Everything #7

    art agenda, February 19, 2018
  • A Chat About Mona’s Brain-Bending New Wing, Pharos

    MARCUS TEAGUE, the broadsheet, February 15, 2018
  • MONA FOMA Made Me Wish I Gambled More With My Life

    Mahmood Fazal, vice, February 2, 2018
  • Pharos at Mona: a labyrinth of sensory delights

    Jenny Valentish, The Monthly, January 30, 2018
  • Blinded by the light: James Turrell obliterates the senses in stunning new Mona wing

    Brigid Delaney, The Guardian, January 25, 2018
  • Venice 56th Art Biennale | part 2: France – Austria – the Netherlands

    FEDERICA LUSIARDI , Inexhibit, December 13, 2017
  • The Museum Of Non-Artists – A Review Of The Museum Of Everything.

    Maddie Burrows, togatus, November 22, 2017
  • The Museum of Everything at MONA, Tasmania

    raw vision, November 14, 2017
  • The Museum of Everything, Hobart, Tasmania, Australia

    HELEN HAYES, vacations&travel, November 7, 2017
  • GENÈVE/Olivier Varenne va installer la galerie MONAD aux Bains

    Etienne Dumont, Bilan, October 19, 2017
  • A hobart, un musee qui de

    Joelle Kuntz, Le Temps, September 9, 2017
  • Fie Les Codes

    Le Temps, September 9, 2017
  • A Hobart, un musée qui défie les codes

    Joelle Kuntz, Le Temps, September 8, 2017
  • Dan Miller and Judith Scott Featured | The Museum of Everything at Mona | Tasmania, Australia

    creative growth, August 31, 2017
  • The Museum of Everything heads to Hobart

    green, August 24, 2017
  • But is it art…? The Museum of Everything comes to town

    Clarissa Sebag-Montefiore, the spectator, August 19, 2017
  • The art of the ordinary

    Kylie Northover, smh, August 14, 2017
  • TO CHALLENGE THE EARTH, THE MOON, THE SUN AND THE STARS – SOCLE DU MONDE BIENNALE 2017

    Jens Wolter, talking about art, August 10, 2017
  • Danemark : une biennale qui expose Manzoni et des poules ultra performantes

    Les Echos, August 1, 2017
  • The Pioneering Visionary Behind The Museum of Everything

    By Nicholas Forrest, BlouinArtinfo International, August 1, 2017
  • Australians Have Beef with Hermann Nitsch Performance Involving Bull Carcass

    Claire Voon, hyperallergic, July 19, 2017
  • Done to death The Hermann Nitsch experience

    Clarissa Sebag-Montefiore, the spectator, July 8, 2017
  • 900 Gather to Witness Hermann Nitsch’s Blood-Filled Performance Art

    Alanna Martinez, observer, June 21, 2017
  • Things I Learned Watching People Tear a Bull Apart

    Julian Morgans, vice, June 21, 2017
  • Eleven things at Dark Mofo that were worth the FOMO

    dee jefferson, time out, June 20, 2017
  • Can blood, guts and gore in art be beautiful? Nitsch shows it can

    Stephanie Convery, the guardian, June 20, 2017
  • Dark Mofo: Hermann Nitsch's bull slaughter show gets mixed reviews

    Elise Fantin, ABC News, June 20, 2017
  • Queenstown-inspired art in MONA

    Lachlan Bennett, the advocate, June 19, 2017
  • At The Museum of Everything, Art Doesn’t Exist

    Wendy Syfret, vice, June 19, 2017
  • Weird, People Are Protesting An Art Performance Featuring 500 Liters Of Bull Blood

    Priscilla Frank, huffpost, June 19, 2017
  • Despite protests, Tasmania gives Nitsch his biggest-ever audience

    tim stone, the art newspaper , June 19, 2017
  • Dark Mofo: Hermann Nitsch's arty Hobart bloodbath not cowed by animal rights protesters

    Hannah Francis, The Sydney Morning Herald, June 18, 2017
  • James Brett and The Museum of Everything

    STEVE DOW, art guide, June 17, 2017
  • A Bit of Everything

    Tas Weeekend, June 17, 2017
  • The compulsion to create: ‘outsider art’ at MONA’s The Museum of Everything

    Ted Snell, The Conversation, June 13, 2017
  • ‘The private life of art’: the Museum of Everything opens in Hobart

    Brigid Delaney, The Guardian, June 13, 2017
  • MONA's latest offering The Museum of Everything shining light on unknown artists

    Rhiannon Shine, ABC News, June 10, 2017
  • The Museum of Everything

    Radio National, June 9, 2017
  • Dark Mofo’s Hermann Nitsch ‘action’ sparks controversy in Hobart

    JANE CORNWELL, the australian, June 3, 2017
  • Museum of Everything founder brings 'outsider art' exhibition to MONA

    Jemima Whyte, Financial Review, May 19, 2017
  • The Base of the World

    Louisa Elderton, Frieze, May 1, 2017
  • Denmark: an exceptional Zero group exhibition and its heirs, from super performing chicken to Wim Delvoye

    Judith Benhamou Reports, May 1, 2017
  • Monuments to mundanity at the Socle du Monde Biennale

    Nausikaä El-Mecky, Apollo Magazine, April 28, 2017
  • Le Danemark, royaume du « Socle du monde »

    Christophe Rioux, Le Quotidien de L'Arte, April 28, 2017
  • The Museum of Everything

    Sarah Ward , concrete playground, April 27, 2017
  • Exhibition // Socle du Monde: Denmark’s Oldest Contemporary Art Biennial

    Berlin Art Link, April 27, 2017
  • Seventh Socle du Monde Biennale set to open in Herning

    art daily , April 25, 2017
  • Ausstellungen

    Monopol, April 22, 2017
  • Herning Rend hommage a manzoni

    Connaissance des Arts, April 21, 2017
  • AN EXPERIMENTAL EXHIBITION TO CHALLENGE THE EARTH, THE MOON, THE SUN & THE STARS

    Socle du Monde, April 21, 2017
  • MONA's David Walsh defends 'slaughter' art show, says public outrage good for business, Tas economy

    James Dunlevie, ABC News, April 20, 2017
  • Dark Mofo artist Hermann Nitsch's 'ritual' slammed by animal rights groups

    Hannah Francis, The Sydney Morning Herald, April 19, 2017
  • Bloody Dark Mofo artwork using slaughtered bull 'crosses the line', RSPCA says

    Calla Wahlquist, The Guardian, April 19, 2017
  • Dark Mofo's 'bloody, sacrificial ritual' blasted by animal rights group

    Rhiannon Shine and James Dunlevie, ABC News, April 19, 2017
  • UNE BIENNALE, UN SOCLE ET DES MONDES

    Art Abbs, April 1, 2017
  • Evolution: Four takes on the evolution of art

    Nurin Veis, Nature, March 22, 2017
  • The 2017 Socle du Monde Biennale Announces Participating Artists

    Caroline Elbaor, art news, February 20, 2017
  • On the Origin of Art

    sean kelly, artlink, February 8, 2017
  • Pull up the roots: Review of ‘On the Origin of Art’

    Doug Dillaman, the pantograph punch, February 2, 2017
  • Getting to grips with the nature of art at Mona

    Tim Walsh, apollo art magazine , January 19, 2017
  • ON THE ORIGIN OF ART AT MONA ASKS WHAT IS THE PURPOSE OF ART?

    fibonacci stone, December 23, 2016
  • ON THE ORIGIN OF ART

    CHLOÉ WOLIFSON, art asia pacific, November 30, 2016
  • On the Origin of Art (MONA)

    CHRISTOPHER MENZ, abr, November 28, 2016
  • MONA’s New Exhibition Gets Personal

    WILL COX, broadsheet, November 22, 2016
  • ON THE ORIGIN OF ART

    ultimate winery experiences australia, November 22, 2016
  • MONA’s ‘On the Origin of Art’

    Patrick Hartigan, Saturday paper , November 19, 2016
  • David Walsh of Mona: on art, sex and why (gallery) size matters

    Steph Harmon, the guardian , November 8, 2016
  • On the Origin of Art

    BRIONY DOWNES, art guide australia, November 4, 2016
  • Is art really just about bonking? MONA's David Walsh ruffles feathers (again)

    John Bailey, The Age, November 4, 2016
  • God, sex or evolution – why did humans start making art?

    Jonathan Jones, The Guardian, November 3, 2016
  • MONA’s On the Origin of Art: David Walsh’s tale of four visions

    SHARON VERGHIS, the australian , October 21, 2016
  • Larry's List

    Forbes, October 6, 2016
  • Museum professionals back new contemporary art sales platform

    culture360, August 26, 2016
  • CURATORS BACK NEW AFFORDABLE-ART WEBSITE

    art forum, August 19, 2016
  • New affordable-art website Collectionair backed by curatorial big-hitters

    The Art Newspaper, August 1, 2016
  • Installation - As Christian Boltanski unveils a giant, inventive work in Scotland, Jane Ure-Smith talks to him about his

    Jane Ure-Smith, FT Weekend, July 30, 2016
  • Cameron Robbins: Field Lines at MONA

    fluoro, July 15, 2016
  • Cameron Robbins

    Sophie Knezic, Frieze, July 10, 2016
  • Cameron Robbins’s Elemental Art Instruments at MONA Tasmania

    Nicholas Forrest, BlouninARTINFO, July 5, 2016
  • Maria Abramovic - Playing with Shadows

    Peter Hill, Artpress, July 1, 2016
  • Cameron Robbins: Field Lines

    Andrew Harper, artlink, June 30, 2016
  • Gallery + Review: Dark Mofo

    Marcus Teague, Broadsheet, June 27, 2016
  • United Visual Artists manipulates passage of time in new light installation chamber

    Jamie Green, It's Nice That, June 24, 2016
  • United visual artists' large-scale light installation plays with the perception of time

    Nina Azzarello, Design Boom, June 20, 2016
  • This Year's Dark Mofo Will Make You Feel Inconsequential in a Good Way

    wendy syfret, vice, June 17, 2016
  • Field Lines

    Lisa Dib, Warp Magazine, June 17, 2016
  • Maddie In Mona: The Gilbert And George Exhibition

    Maddie Burrows, togatus, June 16, 2016
  • This Year's Dark Mofo Will Make You Feel Inconsequential in a Good Way

    Wendy Syfret, The Creators Project, June 16, 2016
  • Cameron Robbins' art from the natural elements

    abc news, June 15, 2016
  • Odd happenings are big attraction to dark Hobart

    Tim Douglas, The Australian, June 15, 2016
  • Odd happenings are big attraction to dark Hobart

    Tim Douglas, The Australian, June 15, 2016
  • Odd happenings are big attraction to dark Hobart

    The Australian, June 15, 2016
  • Odd happenings are big attraction to dark Hobart

    Tim Douglas, The Australian, June 15, 2016
  • Dark Mofo 2016: an opening weekend of endurance, immersion and dark art

    clem bastow, the guardian , June 14, 2016
  • Dark Mofo and the affective power of a creative storm

    The Conversation, June 14, 2016
  • Light Trails and Echoes Form a Massive, Multisensory Canvas

    Kevin Holmes, The Creators Project, June 14, 2016
  • Dark Mofo and the affective power of a creative storm

    Svenja J. Kratz, The Conversation, June 14, 2016
  • Dark Mofo review: Tasmania's winter arts festival breaks all the rules

    The Sydney Morning Herald, June 13, 2016
  • Dark Mofo review: Tasmania's winter arts festival breaks all the rules

    The Sydney Morning Herald, June 13, 2016
  • Dark Mofo review: Tasmania's winter arts festival breaks all the rules

    The Sydney Morning Herald, June 13, 2016
  • Dark Mofo review: Tasmania's winter arts festival breaks all the rules

    The Sydney Morning Herald, June 13, 2016
  • The Dark arts to light up city as winter Mofo festival hits Hobart

    Kane Young, The Mercury, June 11, 2016
  • Dark Mofo's Dark Park: Watch, wander, feel, eat and drink this space

    Gregor Salmon, abc news, June 10, 2016
  • Dark Mofo 2016 (MONA)

    Australian Book Review, June 1, 2016
  • CAMERON ROBBINS: FIELD LINES

    digicult, May 27, 2016
  • Cameron Robbins

    kent wilson, Artist profile, May 26, 2016
  • MONA: CAMERON ROBBINS – FIELD LINES

    MELISSA OGIER, garb wire, May 6, 2016
  • All the things we expect to feel at Dark Mofo this year

    time out, April 27, 2016
  • Art Highlights: Affordable Art Website, Feminist Art, and Nude Trump Statues

    renee phillips, April 22, 2016
  • Unconventional Museum Sparks Tasmanian Renaissance

    Lisa Abend, Newsweek, April 17, 2016
  • MONA Has Announced Their Impressively Weird and Wonderful Dark Mofo 2016 Lineup

    sarah ward, concrete playground , April 8, 2016
  • The Modern Medicis

    The Economist, April 4, 2016
  • Globetrotter

    Art Collector, April 4, 2016
  • If You Think Tasmania Is Just Wilderness and Golf, You're Wrong

    Susan Gough Henly, Afar, April 2, 2016
  • Tis' the party season

    Januaria piromallo, gstaadlife, February 29, 2016
  • David Walsh puts scientists in the curator's seat for new Mona exhibition

    Toby Fehily, The Guardian, February 25, 2016
  • Gilbert & George: The Art Exhibition

    artshub, February 6, 2016
  • Mathew Briand

    Peter Hill, Art Press, February 1, 2016
  • Chiharu Shiota

    undo, December 25, 2015
  • The Art Exhibition: Gilbert and George

    Stuart Roberts, tasmanian art guide , December 11, 2015
  • The Genius of Gilbert and George’s Pictures at MONA Tasmania

    Nicholas Forrest, BlouinArtinfo International, December 7, 2015
  • Gilbert & George

    John McDonald, Sydney Morning Herald, December 4, 2015
  • Gilbert & George at MONA

    ABC, December 1, 2015
  • Threading Memories With Chiharu Shiota

    COLLECTIONAIR, the collectionair's Journal, November 30, 2015
  • GILBERT AND GEORGE THE ART EXHIBITION

    ANDREW HARPER, eyeline, November 30, 2015
  • What to expect from Marina Abramovic’s landmark Australian visit

    Ros Brennan, Buro 24/7 Australia, November 30, 2015
  • Marina Abramović: 'The planet is dying. We have to be warriors'

    The Guardian, November 30, 2015
  • Marina Abramović: Private Archaeology

    Canvas & Co, November 30, 2015
  • Marina Abramović's 'Private Archaeology' opens at the Museum of Old and New Art

    Madeleine Coorey, Art Daily, November 30, 2015
  • Abramovic Fever

    Elli Walsh, Artland, November 30, 2015
  • Gilbert & George: 'The rightwing press may be unpleasant but they're polite'

    Monica Tan, The Guardian, November 30, 2015
  • British art duo Gilbert and George launch exhibition at MONA

    Fiona Blackwood, ABC News, November 27, 2015
  • Seeing red: Gilbert & George still fired up after more than 40 years of making art

    Debbie Cuthbertson, The Sydney Morning Herald, November 27, 2015
  • Iconic artists Gilbert & George are coming to Hobart’s Mona

    Rachel Oakley, lost at e minor, November 24, 2015
  • American artist Matthew Barney pushes the boundaries with his new exhibition at MONA

    Jane Rankin-Reid, The Mercury, November 22, 2015
  • Rome? I’d rather be in Hobart

    AA Gill, The Sunday Times, November 22, 2015
  • TasWeekend: Exhibitionists Gilbert & George are two of a kind

    TYSON SHINE, mercury, November 20, 2015
  • Gilbert & George The Art Exhibition

    e-flux, November 10, 2015
  • MONA recreates the enchanted island still casting its creative spell

    Andrew Stephens, the sydney morning, November 1, 2015
  • Celeste Boursier-Mongenot revolutions

    La Biennale di Venizia Guide, November 1, 2015
  • Gentlemen of the gutter

    Nick Miller, Spectrum, October 31, 2015
  • Gilbert and George: Life as a Living Sculpture

    Rebecca O'Malley, Broadsheet, October 30, 2015
  • Gilbert & George

    Steve Dow, Art Guide, October 30, 2015
  • Gilbert & George - “Siamo sculture viventi”

    Renato Diez, Arte, October 30, 2015
  • Gilbert & George bring their shock tactics to Mona in Hobart

    Nick Miller, The Sydney Morning Herald, October 30, 2015
  • Mathieu Briand: Et In Libertalia Ego, Vol. II

    Art Almanac, October 27, 2015
  • Gilbert & George Announce Their First Ever Exhibition In Australasia

    Artlyst, October 16, 2015
  • Mathieu Brand: Et In Libertalia Ego, Vol. II

    The Guardian, October 9, 2015
  • MONA recreates the enchanted island still casting its creative spell

    Andrew Stephens, The Sydney Morning Herald, October 6, 2015
  • An exhibition to treasure

    Andrew Harper, Tasweekend, September 19, 2015
  • Hobart's Museum of Old and New Art to host major Gilbert & George show

    Dewi Cooke, The Sydney Morning Herald, September 10, 2015
  • 'We are Gilbert & George': artist duo to visit Mona for first Australian show

    Nancy Groves, The Guardian, September 10, 2015
  • Mathieu Briand

    e-flux, September 3, 2015
  • Mathieu Briand to Expand Pirate’s Utopia at MONA Tasmania

    BlouinArtinfo International, August 7, 2015
  • The experience machine

    Fiona McGregor, The Monthly, August 1, 2015
  • “Three Stars Shine Brightly at the 56th Venice Biennale: Joan Jonas, Sarah Lucas, and Céleste Boursier-Mougenot”

    David Ebony, artbooks, July 7, 2015
  • CÉLESTE BOURSIER-MOUGENOT "EXPERIMENTING – THAT'S ALL THAT INTERESTS ME."

    Mireille Sartore, cote magine, July 1, 2015
  • Marina Abramovic’s Paradigm-Shifting Australian Power Play

    Nicholas Forrest, BlouinArtinfo International, June 29, 2015
  • Marina Abramovic: Private Archaeology

    The Sydney Morning Herald, June 27, 2015
  • Strangers in a strange land

    John McDonald, Sydney Morning Herald , June 27, 2015
  • Strangers in a strange land

    The Canberra Times, June 27, 2015
  • Marina Abramovic in Residence: a miraculous respite from the stresses of life

    John McDonald, Brisbane Times, June 26, 2015
  • Céleste Boursier-Mougenot Brings Motorized Trees to Venice Biennale

    Brian Boucher, Artnet News, June 26, 2015
  • Interview: maverick museum-owner David Walsh

    Gareth Harris, Financial Times, June 26, 2015
  • Marina Abramovic: A Study in Resilience

    Dan Rule, Broadsheet, June 25, 2015
  • Excavating Marina Abramovic’s Private Archaeology

    Matt Delbridge, Arts Review, June 22, 2015
  • Dark Mofo festival: a newcomer's take

    Madhvi Pankhania, the guardian, June 20, 2015
  • Performance pioneer excavates her past

    Debbie Cuthbertson, The Age, June 17, 2015
  • Abramović v Walsh, believer v sceptic

    Gina Fairley, Artshub, June 16, 2015
  • Excavating Marina Abramović’s Private Archaeology – review

    Matt Delbridge, The Conversation, June 15, 2015
  • The present tense

    Andrew Purcell, June 13, 2015
  • Marina Abramovic wonders whether she's even creating art

    Matthew Drummond, Financial Review, June 13, 2015
  • Abramovic dazzles in MONA screamfest

    Katrina Strickland, The Australian Financial Review, June 13, 2015
  • Starey, starey life: Marina Abramovic’s eyes as arrows

    Tim Douglas, The Australian, June 12, 2015
  • The artist is present: Marina Abramovic opens MONA retrospective

    Debbie Cuthbertson, The Australian Arts Review, June 12, 2015
  • The artist is present: Marina Abramovic opens MONA retrospective

    Debbie Cuthbertson, The Sydney Morning Herald, June 12, 2015
  • Where the dark gets in: why 2015 Dark Mofo lightens a crowded calendar

    Edwina Morris, Tasmanian Arts guide, June 4, 2015
  • A peace of art

    Sophie Tedmanson, Vogue, June 2, 2015
  • Venice: Céleste Boursier-Mougenot at The French Pavilion

    Contemporary art daily, May 15, 2015
  • Сéleste boursier-mougenot plants a kinetic forest at the venice art biennale

    Nina Azarello, Designboom, May 6, 2015
  • French Pavilion at the 56th Venice Biennale

    artsy editorial, Artsy, May 4, 2015
  • Matthew Barney

    Anthony Byrt, Artforum, May 1, 2015
  • Should art respond to science? On this evidence, the answer is simple: no way

    Jonathan Jones, The Guardian, April 23, 2015
  • Céleste Boursier-Mougenot

    e-flux, April 17, 2015
  • The Venice Questionnaire 2015 #1: Céleste Boursier-Mougenot

    Artreview, April 7, 2015
  • Embrace your dark side: the must-visit Aussie winter festival

    Yeong Sassall, April 4, 2015
  • Matthew Barney River of Fundament

    Dan Rule, Vault, April 1, 2015
  • Body of work

    Miriam Cosic, The Australian Financial Review, April 1, 2015
  • Get a move on

    Andrew Harper, Tasweekend, March 28, 2015
  • Pleasure and Pain

    Christopher Allen, The Weekend Australian Review, March 21, 2015
  • Matthew Barney: River of Fundament

    Eve Sullivan, Artlink, March 1, 2015
  • Outside Chance - David Walsh

    Michael Young, Art Asia Pacific, March 1, 2015
  • Outside Chance

    Michael Young, Art Asia Pacific, March 1, 2015
  • MARINA ABRAMOVIC RETURNING TO AUSTRALIA AFTER 17 YEARS

    Garrett Bithell, Gay News Network, February 27, 2015
  • MARINA ABRAMOVIĆ AT SYDNEY’S KALDOR PUBLIC ART PROJECTS AND HOBART’S MUSEUM OF OLD AND NEW ART

    Michael Young, Art Asia Pacific, February 27, 2015
  • the biennale of moving images

    the guardian, February 25, 2015
  • David Walsh focuses on the origin of the creative species

    Tom Douglas, The Australian, February 25, 2015
  • Marina Abramović: contemporary art's Beatles tour

    Gina Fairley, Arts Hub, February 20, 2015
  • Performance art pioneer Marina Abramovic to have her first Australian show in 17 years at MONA

    Kane Young, Perth Now, February 19, 2015
  • Barney rubble

    Ashley Crawford, The Saturday Paper, February 14, 2015
  • Christoph Büchel

    Peter Hill, Art Press, February 1, 2015
  • Marina Abramovi? to return to Australia for the first time in 17 years

    Vogue Living Australia, February 1, 2015
  • ""Libertalia"", trésors à la carte

    Clement Ghys, Liberation, February 1, 2015
  • BIENNALE OF MOVING IMAGES

    Artland, January 17, 2015
  • Vito Acconci's plan to link Anzac memorials is a bridge too far for some in Hobart

    The Art Newspaper, January 12, 2015
  • Modern Myth

    John Buffalo Mailer, Wallpaper, January 1, 2015
  • Matthew Barney: Exploding the myths

    Elizabeth Fotescue, The Art Newspaper, January 1, 2015
  • Biennale of Moving Images at MONA Tasmania

    BlouinArtinfo International, January 1, 2015
  • MONA shows to celebrate million visitors

    PHILIP HEYWARD, Sunday Tasmanian, December 7, 2014
  • Matthew Barney at Mona: the artist at the edge of the world

    Nancy Groves, The Guardian, November 30, 2014
  • Bigger is better for MONA’s new Matthew Barney exhibition

    David Beniuk, The Mercury, November 23, 2014
  • 'The Land of David': Christopher Büchel's Tasmanian odyssey

    Michael Fitzgerald, Art Monthly Australia, November 1, 2014
  • Matthew Barney project combines human waste and transcendent states

    The Sydney Morning Herald, November 1, 2014
  • When MONA meets Matthew

    Jasmeet Sahi, Arts Hub, October 21, 2014
  • River of Fundament: MONA’s ‘brutally elegant’ limit push

    Kane Young, The Mercury, September 7, 2014
  • Matthew Barney comes to MONA

    Gina Fairley, Arts Hub, September 2, 2014
  • Christophe Büchel: Southdale/C-MONA

    Sean Kelly, Artlink, September 1, 2014
  • Disgusting movie River of Fundament gets Sydney outing

    Andrew Taylor, The Sydney Morning Herald, September 1, 2014
  • Ryoji Ikeda: spectra, Victoria Tower Gardens

    Peter Culshaw, The Arts Desk, August 9, 2014
  • Hubert Duprat

    Peter Hill, Vault, August 7, 2014
  • Ryoji Ikeda’s Column Of Monumental Light Blasts Off In London

    artlyst, August 5, 2014
  • Spectra: the dazzling column of light over London

    Sean O'Hagan, the guardian, August 5, 2014
  • Ryoji Ikeda: spectra

    galleries now, August 4, 2014
  • Ryoji Ikeda: spectra

    Artangel, August 4, 2014
  • MONA: Matthew Barney, River of Fundament

    Tasmanian Times, August 1, 2014
  • Ryoji Ikeda interview: 'Spectra is poised between past and present'

    Martin Coomer, time out, July 31, 2014
  • Hobart's MONA offers 'speed dating' fair for religions

    Edith Bevin, Yahoo News, July 13, 2014
  • What lies beneath

    John McDonald, The Sydney Morning Herald, July 6, 2014
  • David Walsh's MONA success is the ultimate revenge of the nerd

    The Australian, July 4, 2014
  • Dark Mofo misses the mark

    Koori Mail, July 2, 2014
  • Artists angered by DNA stand

    Jullian Mundy, Koori Mail, July 2, 2014
  • The Gruen Transfer at MONA

    Lucy Rees, Artland, July 1, 2014
  • Walsh dismisses 'storm in a teacup'

    Matthew Denholm, The Australian, June 27, 2014
  • MONA's mixed message

    Adam Kamien, Australian Jewish News, June 27, 2014
  • Art guru 'doesn't get' Aboriginal culture

    Matthew Denholm, The Australian, June 26, 2014
  • Acconci’s design for Hobart is an idea about an idea about …

    Helen Norrie, the conversation, June 25, 2014
  • MONA removes Aboriginal DNA test exhibit from art installation

    ABC Online, June 25, 2014
  • Deja Vu! Museum Censors Christoph Büchel

    Clancco, June 25, 2014
  • MONA owner David Walsh apologies to Tasmanian Aboriginal community offended by Southdale display

    Jennifer Crawley, The Mercury, June 25, 2014
  • Hobart Future Forum with artist Vito Acconci

    Fenella Kernebone, abc news, June 21, 2014
  • God of Mall Things

    Matthew Westwood, The Weekend Australian, June 21, 2014
  • Buying into a centre of illusion

    Matthew Westwood, The Australian, June 19, 2014
  • MONA shopping centre mystery has Hobart buzzing

    Jennifer Ctrawley, The Mercury, June 17, 2014
  • Southdale opens for business at MONA

    Jennifer Crawley, The Mercury, June 17, 2014
  • Matthew Barney: 'My work is not for everyone'

    Adrian Searle, The Guardian, June 17, 2014
  • It's our world heritage shed

    Duncan Abey, Sunday Tasmanian, June 15, 2014
  • 5 Things Only Hobart Has, Thanks To Dark Mofo

    Lucy Dayman , the brag channels, June 4, 2014
  • Le musée des extrêmes

    L'Hebdo, June 4, 2014
  • Hubart Duprat

    Peter Hill, Art Press, June 1, 2014
  • Run, David, run: the Red Queen stalks MONA

    Justin O’Connor, The Conversation, June 1, 2014
  • Mona's latest move aims to give believers a fair go

    Emma Hope, The Mercury, May 28, 2014
  • Black Water

    Ross Simonini, Frieze Magazine, May 1, 2014
  • MONA goes bush with South-West park project

    Matt Smith, The Mercury, April 20, 2014
  • Hubert Duprat at Mona

    Tessa Little, Look, April 1, 2014
  • Duprat & Duchamp in Hobart

    Delia Nicholls, Island Magazine, April 1, 2014
  • Rogerworld

    Craig Judd, Art Monthly, April 1, 2014
  • Matthew Barney: River of Fundament

    E-Flux, March 16, 2014
  • Dark Mofo swings into town planning

    tasmania, March 12, 2014
  • Exhibition review: Hubert Duprat

    Audrey K. Hulm, Exhibition Review, March 3, 2014
  • Duprat & Duchamp in Hobart

    Delia Nichols, Island Magazine, March 1, 2014
  • Hubert Duprat

    Sculpture Magazine, March 1, 2014
  • Asylum of the birds

    Toby Fehily, Smith Journal, March 1, 2014
  • En Tasmanie, l’incroyable musée de David Walsh

    Patricia Boyer de Latour, Le Figaro, March 1, 2014
  • TASMANIE PÉRIODE HOBART

    PATRICIA BOYER DE LATOUR, Madame Figaro, March 1, 2014
  • Matthew Barney's River of Fundament: what was that all about then?

    The Guardian, March 1, 2014
  • Matthew Barney: River of Fundament

    Tobias Heberl, Sueddeutsche Zeitung magazine, February 28, 2014
  • HCC teams up with MONA to engage New Yorker Vito Acconci to design Tasman Highway footbridge

    Sally Glaetzer, mercury, February 24, 2014
  • The Godfather

    Sharon Verghis, The Australian, February 22, 2014
  • The Invocation of the Dead - Matthew Barney: River of Fundament

    Ashley Crawford, Eyeline, February 12, 2014
  • Themes of the Stone Age

    The Mercury, February 8, 2014
  • Barney's art of the grotesque

    The Age, February 4, 2014
  • Duprat en Tasmanie

    Journal des Arts, February 1, 2014
  • Mona Le Téméraire

    Maxime Lancien, The Good Life, February 1, 2014
  • Australia Lights Up With Conrad Shawcross' Robot Powered Installation

    VICE The Creators Project, January 22, 2014
  • Barney and Büchel to go Down Under

    Gareth Harris, The Art Newspaper, January 22, 2014
  • Roger Ballen

    Briony Downes, Art Guide, January 21, 2014
  • Futuristic ‘robot light art’ the shape of things to come

    ANNABEL ROSS, The Age, January 19, 2014
  • Conrad Shawcross: the Ada Project – review

    The Guardian, January 18, 2014
  • Wonder World, or Against the New Universal Exhibition

    Joseph Nechvatal, Hyperallergic, January 13, 2014
  • Abu Dhabi museums are becoming game-changers back in the West

    Anna Somers Cocks, The Art Newspaper, January 1, 2014
  • Mona's David Walsh: 'Now I’m the arbiter of good taste. The thing I abhor'

    Vicky Frost, The Guardian, January 1, 2014
  • Geology of the mind

    Andrew Stephens, SMH, December 28, 2013
  • Step Inside Roger Ballen's Asylum Of The Birds

    Priscilla Frank, The Huffington Post, December 14, 2013
  • Théâtre du Monde – review

    Philippe Dagen, The Guardian, December 10, 2013
  • The Museum of Old and New Art puts on two shows to celebrate one million visitors

    PHILIP HEYWARD, The Mercury, December 8, 2013
  • The Museum of Old and New Art puts on two shows to celebrate one million visitors

    Philip Heyward, The Mercury, December 8, 2013
  • Light installations, and contemplative spaces

    Artdaily, December 7, 2013
  • “I Look to You and I See Nothing”

    Murtaza Vali, Art Forum, December 7, 2013
  • Hubert Duprat: Trichoptera Trickery

    Pip Stafford, Warp Magazine, December 7, 2013
  • Hubert Duprat

    Dylan Rainforth , Art Guide, December 7, 2013
  • The Au Interview: Roger Ballen talks Asylum of The Birds and MONA exhibition

    Au Review, December 5, 2013
  • L'Univers Comme Collection

    Aurelie Romanacce, Arts Magazine, December 1, 2013
  • Inside The Mind of Roger Ballen

    Pip Stafford, Warp Magazine, December 1, 2013
  • Social work: Roger Ballen

    Trouble Magazine, December 1, 2013
  • The Red Queen

    Stephanie Radok, Artlink, December 1, 2013
  • See art differently at Sharjah exhibition I Look to You and I See Nothing

    Afshan Ahmed, The National, November 25, 2013
  • Column of light will illuminate the skies above Sharjah

    Yasin Kakande, The National, November 17, 2013
  • En Australie, deux arts aux antipodes

    Philippe Dagen, Le Monde, November 14, 2013
  • Théâtre du monde — La maison rouge

    Léa Chauvel-Lévy, Slash Paris, November 8, 2013
  • The Art of Enlightenment at MONA Tasmania's "Beam"

    Nicholas Forrest, Blouin Artinfo, November 6, 2013
  • Le "Disneyland subversif pour adultes" est à Paris

    Guy Duplat, La Libre Belgique, November 5, 2013
  • Bol d'art tasmanien

    Le Magazine du Monde, November 2, 2013
  • DAVID WALSH theatre of the world

    Peter Hill, Art Press, November 2, 2013
  • Echange austral

    Mondomix, November 1, 2013
  • Théâtre du Monde, la Maison rouge

    Espace Holbein, November 1, 2013
  • Jubilatoire

    Roxana Azimi, Le Nouvel Economiste, November 1, 2013
  • David Walsh

    Vincent Hanon, Rock & Folk, November 1, 2013
  • Succèssans surprises pour la Fiac

    l'Humanité, October 29, 2013
  • EXHIBITION: I LOOK TO YOU AND I SEE NOTHING

    the culturist, October 24, 2013
  • Une nouvelle histoire du monde

    Richard Leydier, Le Quotidien de L'Art, October 24, 2013
  • David Walsh : "J'avais horreur de rencontrer les artistes"

    Le Figaro, October 23, 2013
  • THÉÂTRE DU MONDE INVITE AUX VOYAGES À LA MAISON THÉÂTRE DU MONDE INVITE AUX VOYAGES À LA MAISON ROUGE

    Bérénice Clerc, Tout La Culture, October 20, 2013
  • Paris Exhibition Presents the Art, Not the Artist

    DAVID BELCHER, The New York Times, October 16, 2013
  • VENTE / Saint Laurent Paris Genève et retour

    Bilan, October 1, 2013
  • First you feel: Ryoji Ikeda

    Jane Somerville, Artland, October 1, 2013
  • Mofo magic beams them up

    Kane Young, The Mercury, July 20, 2013
  • «Wundert euch!»

    Heidi Gmür, Neuö Zürcör Zäitung, July 13, 2013
  • Wundert euch!

    Neue Zuricher Zeitung, July 13, 2013
  • David Walsh’s MONA and the cultural regeneration of Hobart

    Justin O'Connor, Monash University, July 9, 2013
  • The art of the bowerbird

    Patrick, Museum Victoria, July 4, 2013
  • First You Feel: Ryoji Ikeda

    Jane Somerville, Artland, July 2, 2013
  • Unweaving the Rainbow

    Alexandra Spring, Vogue Australia, July 1, 2013
  • MONA’s The Red Queen: Art as an evolutionary advantage

    Tim Stone, ABC, June 28, 2013
  • Journey inside The Red Queen

    Emma Hope, The Mercury, June 22, 2013
  • On the origin of artistry

    Andrew Stephens, The Age, June 22, 2013
  • Beam in Thine Own Eye – Dark Mofo, Hobart

    The Guardian, June 20, 2013
  • MONA's take on art about sexual evolution in the Red Queen exhibition

    ROSEMARY NEILL, The Australian, June 19, 2013
  • The Red Queen exhibit at MONA

    The Camberra Times, June 18, 2013
  • The Red Queen arrives at MONA

    Sarah Gillman, ABC Hobart, June 18, 2013
  • MONA shines light into the darkness

    Debbie Cuthbertson, The Sydney Morning Herald, June 17, 2013
  • A brief conversation with Dark Mofo artist Tim Bruniges

    Tim Stone, ABC Arts, June 16, 2013
  • Hobart's winter festival shines in the dark

    Debbie Cuthbertson, The Age, June 15, 2013
  • All go for MOFO

    LINDA SMITH and KANE YOUNG, The Mercury, June 15, 2013
  • Artists cover Hobart in white light for the opening of Dark Mofo

    Tim Stone, ABC Net, June 14, 2013
  • BEAM IN THINE OWN EYE . Heart-Stopping Art: Dark Mofo

    manya cha-cha, June 13, 2013
  • Meet the curators of The Red Queen at MONA

    Arts Hub, June 4, 2013
  • The Red Queen opening: Mona till Midnight

    Arts Hub, June 4, 2013
  • Tessa Farmer’s fairies are invited to the court of the Red Queen

    Paul Isbel, Arts Hub, June 4, 2013
  • Illuminating the beauty of life's equations

    Dewi Cooke, The Age, June 1, 2013
  • Why do people make art?

    The Art Newspaper, June 1, 2013
  • The Red Queen – MONA, Hobart

    The Guardian, June 1, 2013
  • everything old is new again

    Vogue Living, June 1, 2013
  • casting light on darkness

    real time, May 22, 2013
  • Casting light on darkness

    Shane Eastwood, Real Time Arts, May 22, 2013
  • Postcard from Hobart: South for the winter

    Lindy Percival, The Sydney Morning Herald, May 4, 2013
  • Survival tactics: The Red Queen and Dark MOFO

    Tracey Clement, Art Guide Australia, May 1, 2013
  • Beam in Thine Own Eye

    Arts Hub, April 28, 2013
  • l’hurluberlu du bout du monde

    Marie Ottavi, Next Liberation, April 1, 2013
  • The Gambler

    Richard Flanagan, The Monthly, February 1, 2013
  • Reasons to be cheerful

    David Walsh, Griffith Review, January 4, 2013
  • Theatre of The World

    Patricia Anderson, January 1, 2013
  • Faire les 100 pas dans le Mona dimanche 2 décembre

    Campus Paris, November 12, 2012
  • Theatre of the World

    Eliza Burke, Artlink, November 1, 2012
  • Theatre of the World

    Emily Cormack, Frieze, November 1, 2012
  • Pondering the Unconventional

    Emma Crichton-Miller, Wall Street Journal, October 11, 2012
  • Enchères et en os

    Marie Ottavi Paris, Le Temps, October 10, 2012
  • Yannick Demmerle's Fractured Fantasies at MONA Tasmania

    NICHOLAS FORREST , blouinartinfo, October 9, 2012
  • Enchères et en os

    MARIE OTTAVI, Liberation, October 9, 2012
  • MONA: Yannick Demmerle

    tasmanian times, September 24, 2012
  • YANNICK DEMMERLE EXHIBITION MONA LIBRARY

    art.base, September 17, 2012
  • Exhibition from MONA's first artist-in-residence

    Arts Hub, September 11, 2012
  • Lindsay Seers, Nowhere Less Now, Tin Tabernacle: Fantastic voyage into the unknown

    Richard Dorment, The Telegraph, September 3, 2012
  • Wunderkammering Down Under

    Lisa Slade, Art Monthly, September 1, 2012
  • Voyage au bout du Monde

    L'Officiel de L'Art, September 1, 2012
  • Art Daily

    Artdaily.org, July 11, 2012
  • Look closely and patterns emerge from the chaos

    Louise Schwartzkoff, Sidney Morning Herald, June 27, 2012
  • A playful new way of seeing things

    Michaela Boland, The Australian, June 25, 2012
  • French revolution

    Rebecca Fitzgibbon, Mercury, June 23, 2012
  • MONA bets on bark

    Financial Review, June 23, 2012
  • MONA's enchanted mix

    Andrew Stephens, Age, June 23, 2012
  • IS IT ART — OR EXHIBITIONISM?

    Cristina Ruiz, London Sunday Times, May 6, 2012
  • Please, Francois Pinault, buy my work.

    Ideat, March 1, 2012
  • THE SHOCK OF THE OLD AND NEW

    Josh Spero, Spears, March 1, 2012
  • Culture Vulture: Skew-whiff

    Raymond Gill, The Age, February 18, 2012
  • Old meets new

    Elle Decoration, February 1, 2012
  • The art of ideas

    Amanda Lohrey, The Monthly, February 1, 2012
  • Sex and death rolling on the river

    Robert Upe, The Age, January 7, 2012
  • Art's wild child up and walking

    Gabriella Coslovich, The Saturday Age, January 7, 2012
  • Eski Ve Yeni Sanat Müzesi'nde Wim Delvoye Sergisi

    Artram, January 1, 2012
  • Wim Delvoy

    Victoria Hynes, Austart Review, January 1, 2012
  • Australia: Belgian artist Wim Delvoye

    Museums Journal, January 1, 2012
  • Magnet Mona

    Geoffrey Eu, Business Times Weekend, December 24, 2011
  • Wim Delvoye – The Guy Who Made the Cloaca at MONA

    Caroline Clements, Broadsheet, December 21, 2011
  • Wim Delvoye

    Michaela Boland, Australian, December 20, 2011
  • Wim Delvoye

    Michaela Boland, Australian, December 19, 2011
  • Wim Delvoye

    Mercury, December 14, 2011
  • Outsider's bold move pays off

    Michaela Boland, Australian - Arts Section, December 13, 2011
  • Outsider's bold move pays off

    Michaela Boland, The Australian, December 13, 2011
  • This art's not easy to digest, but MONA has the stomach for it

    Michaela Boland, The Australian, December 12, 2011
  • Wim Delvoye

    Icon, December 10, 2011
  • Shit Stirrer

    Ray Edgar, Art Guide, December 10, 2011
  • Welcome to Wim's world

    Cristina Ruiz, The Art Newspaper, December 10, 2011
  • A challenging encounter with modern art. No. 2

    MATT SMITH, Mercury, December 10, 2011
  • Belgian provocateur comes to MONA

    STEPHANIE BUNBURY, The Age, December 10, 2011
  • Wim Delvoye

    International Herald Tribune, December 10, 2011
  • Tattoo Tim's body of art

    Brian Ward, Mercury, December 3, 2011
  • "I would Be Very Happy in China": Belgian Provocateur Wim Delvoye on Why Ai Weiwei Should Stop Complaining

    Coline Milliard, Artinfo, November 28, 2011
  • Un “Disneyland subversif ” en Tasmanie

    Christina Ruiz, Art Newspaper, November 17, 2011
  • Le peintre face à son trio virtuel

    Etienne Dumont, Tribune de Genève, November 9, 2011
  • Sculpture in defiance of China's authorities

    Dylan Rainforth, The Age, November 9, 2011
  • ‘Robbing Tim’ – Jonathan Delachaux 2011

    Tattotim, November 7, 2011
  • The Mystery of Shit - Wim Delvoy

    Stephanie Radok, Artlink, November 1, 2011
  • Pig skins, cloacae & trucks

    Benjamin Ryan, Art Monthly, November 1, 2011
  • Only skin deep

    Quantas The Australian Way, November 1, 2011
  • Wim Delvoye - Solo Exhibition

    Australian Art Collector, November 1, 2011
  • Museum of Old and New Art Wim Delvoye Exhibition (Tasmania)

    Jodi Lawler, Port Online, October 14, 2011
  • The tastemakers are here

    Cristina Ruiz, The Art Newspaper, June 16, 2011
  • The tastemakers are here

    Cristina Ruiz, The Art Newspaper, June 16, 2011
  • The black swan

    Alexandra Spring, Vogue, June 1, 2011
  • Recreating a Scorched Room with Black Thread

    pinar, my modern met, April 20, 2011
  • The cultural cringe subverted

    Julian Glover, The Guardian, April 13, 2011
  • Globetrotter

    Peter Hill, Art Collector, April 3, 2011
  • Notes on Chiharu Shiotaʼs “In Silence” at Detached, Hobart, Australia – Spring 2011

    Holding Forth Blog, April 1, 2011
  • Monanism

    Amelia Groom, Frieze Magazine, April 1, 2011
  • How to spend it

    Pernilla Holmes, Financial Times, February 20, 2011
  • Tasmanian devilry

    Gareth Harris, Financial Times, February 4, 2011
  • MONA maintains its magic

    Matt Smith, The Mercury, January 31, 2011
  • Mona

    Christina Ruiz, Courrier International, January 27, 2011
  • Monanism

    Maria Kunda, Artlink Magazine, January 22, 2011
  • Museum of Old and New Art

    Independent Collectors, January 4, 2011
  • Meet David Walsh, the man behind the Museum of Old and New Art

    Mark Rappolt, Art Review, January 1, 2011
  • Der Sprung com Glucksspiel zum subversiven Disneyland

    David Walsh, Kunstforum, January 1, 2011
  • Time to stop and reflect

    Kane Young, Mercury, January 1, 2011
  • Monanism

    Peter Hill, Artlink, January 1, 2011
  • Art quest remains work in progress

    Tim Martain, Mercury, January 1, 2011
  • High Priest Amanda Lohrey on David Walsh and Tasmania's Museum of Old and New Art

    The Monthly, January 1, 2011
  • “on&on” es la primera exposición de arte efímero que ha llegado a La Casa Encendida de Madrid.

    arteinvension, December 13, 2010
  • El éxito de lo efímero

    P. Campos, ADN Madrid, December 12, 2010
  • Estrellas fugaces

    Celia Fraile, ABC Madrid, December 3, 2010
  • La Casa Encendida

    Architectural Digest, December 2, 2010
  • Making a Museum

    Oscar Humphries, Apollo, December 1, 2010
  • ON&ON, arte efímero en La Casa Encendida

    sara torres, platforma de arte, November 26, 2010
  • on&on, arte efímero en La Casa Encendida

    saturday night blog, November 22, 2010
  • ‘On&On’ en La Casa Encendida, el papel de lo efímero en el arte

    Carlos Pérez-Guerra, infoenpunto, November 21, 2010
  • on&on @ Casa Encendida – Madrid

    Don Tercio, aqnb, November 20, 2010
  • La muerte en directo de una obra

    C.P., Público, November 13, 2010
  • La Casa Encendida

    art map, November 11, 2010
  • Exposición "on&on" en la Casa Encendida.

    Exposiciones en Madrid, November 10, 2010
  • Quel pari unit BOLTANSKI et le diable de Tasmanie ?

    VALÉRIE DUPONCHELLE, Le Figaro, August 12, 2010
  • A “subversive Disneyland”

    Christina Ruiz, The Art Newspaper, July 1, 2010
  • Third Moscow Biennale of Contemporary Art 2009

    marina gerber, tandfonline, May 7, 2010
  • 3rd Moscow Biennale

    CHRISTY LANGE, frieze, January 1, 2010
  • 3rd Moscow Biennale 2009

    art map, September 30, 2009
  • Third Moscow Biennale of Contemporary Art Announced

    Art Daily, June 6, 2009
  • Discord: Art from MONA

    Lucy Hawthorne, art link, March 17, 2009
  • 3rd Moscow Biennale of Contemporary Art - Against Exclusion

    photography now, March 12, 2009
  • The 3rd Moscow Biennale of Contemporary Art (Exhib. Review)

    YULIA TIKHONOVA , art margins, March 12, 2009
  • of the moment and about time!

    real time, February 11, 2009
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